Claudia Rankine: From “You” to “I” and What It Means

Claudia Rankine’s “Citizen: An American Lyric” is a barrier-breaking, powerful mixed media piece which captures everyday racism and micro aggressions towards African American individuals in our society.  Rankine chooses to write incorporating several sources and artwork, but a key aspect of the book is her choice to write primarily in the second-person.  This choice carries a sense of controlled ambiguity as the main character “You” is supposed to be a black woman.  As the reader, we now obligated to taken on this identity of a particular African American woman and her experiences to feel what she feels; to go through what she goes through, and to experience the racism and micro aggressions as she goes through them.  In the previous section of the book, Rankine incorporates multiple images of artwork, along with examples of how other African Americans have handled micro-aggressions and racism, such as professional athlete Serena Williams.  However, in the final section of “Citizen” for this Thursday’s reading, it seems like the second person point of view has fully dominated over the other media with the exception of the final page, which is uniquely written in the first person.  This can suggest that Rankine’s authorial choice to primarily use the second person point of view followed by a brief first person point of view directly coincides with the character “You” desperately trying to make sense of the racism she’s experienced course of the book.  It seems that You’s desperation is grasped by the new first person perspective because of this particular sequence.

Rankine writes extensively in this section about the “ache” of the character You.  She writes, “All our fevered history won’t instill insight, / won’t turn a body conscious” (Rankine 142).  Here, Rankine is orchestrating the character You to feel a sense of defeat from constant racism.  This quote could be referring to the endless oppressions people of color have endured in our country, and You realizes that it can not be used to change the hearts or the mind of those who don’t understand its evil causing her spiral.  Rankine writes “You are not sick, you are injured— / you ache for the rest of life” (Rankine 143).  This quote creates a level of disparity, as You accepts that this feeling of oppression will never go away.  A sickness is something temporary, while an injury can be sustained long term.  Rankine is telling You that she will feel this internal struggle forever, suggesting that there is significant and dark longevity in racism as it has sustained through past, present, and future.  We see this tension and despair continue to escalate as Rankine writes on.  She writes, “Who shouted? You? You / shouted you, the murmur in the air…” (Rankine 145).  Again, a helpless feeling arises as Rankine compares You’s shout with a murmur in the air, suggesting no matter how loud You shouts; no matter how much effort she puts towards pushing back on the micro-aggressions and racism she’s experienced and understood throughout the book, her efforts will ultimately be unsuccessful.  A defeating realization and acceptance to assume the role of the book’s emotional climax.

In Rankine’s final page, she makes the dramatic change of switching to the first person.  She writes that as she’s laying in bed with her partner, she wants to tell him about a micro-aggression she experienced the day before.  She explains at the tennis courts, a woman was about to park in front of her, but after seeing she was black, turned around and parked somewhere else (Rankine 159).  She says to her partner, “I could have followed her to worry my question but I had to go, I was expected on court, I grabbed my racket” (Rankine 159).  Rankine expresses that she felt prompted to scold the woman, to point out her micro-aggression, but she didn’t have enough time.  Ultimately, here Rankine chose her peace instead of doing what was right in the situation which would have been correcting the behavior.  However, when her partner asks if she won her match she responds, “It wasn’t a match…It was a lesson” (Rankine 159).  This perspective by Rankine is profoundly wise and elevated.  For this perspective and point of view to be placed in the final moments of the book, directly following the character You’s overwhelming realization of desperation and a never-ending headache of racism, is to relocate the audience to a less desperate place and to one of acceptance.  For Rankine to end her book with a “lesson” profoundly suggests in a pessimistic way that the racism she’s experienced isn’t something that can be won or lost.  Her outlook on the final micro-aggression she writes about seems to be less about the unfairness and desperation expressed in the second person, but about the acceptance and realization that the micro-aggressions she’s experienced have taught her more about herself, made her who she is, and ultimately have taught her valuable lessons about other people; a deeply unfortunate and unfair lesson expressed to us by the author.

 

Discussion questions:

Why do you think Rankine writes using examples of racism in sports in the book and uses sports figuratively?  What is the significance of this?

I interpreted Rankine’s switch to the first person to be representative of herself and her own thoughts in order to deliver a message to the reader.  Do you think that Rankine writes as herself on the final page, or do you think she’s writing as someone else?

Works Cited

Rankine, Claudia. Citizen: An American Lyric. Graywolf Press, 2014.

Poems and Micro Aggressions

The last section of our readings for “Citizen: An American lyric” was filled with profound and somewhat confusing poems, at least at face value. I found myself reading them repeatedly to find something I can cling to when I write my blog post. I found myself getting frustrated the more I read, wishing to find something more tangible like an event or a story that I could just recite or relate to a statistic. I did not find that, but what I did find was a deeper understanding, realization, and interpretation of what I believe Rankine was trying to do. It’s too easy to get a reaction or response from a story you tell, or an account of what happened to someone.  A poem, an interpretive form of literature, forces an involuntary response, something raw, unedited, and genuine. If you want to gain anything real from a poem, you must read between the lines. Rankine is trying to invoke an organic reaction to racism and micro aggressions, not some trained response. Rankine could have ended the book with a story that provides closure, something to signify the end, but instead chose to have the readers think beyond the last page.

Responding to a poem and articulating your feelings towards it is a very intimate process, much more intimate than responding to a specific story or a data sheet with a death toll. Responses to poems are infinite and neither wrong nor right. Earlier in the book, we read and talked about Serena Williams, how awful the referees had treated her, and the blatant racism that was directed towards her. Our general responses to these stories were all relatively similar in that it was a horrible thing to have happened to her and a horrible thing that someone would have to go through. Now, poems are stories as well, but it’s how they’re told that makes a difference. On page 159 of Rankine’s poem, it states, “I can hear the even breathing that creates passages to dreams. And yes, I want to interrupt to tell him her us you me I don’t know how to end what doesn’t have an ending.” (159); this is infinitely interpretive and emotionally engaging.  You could spend hours wondering who she meant by, “him her us you me” (159). Also, what could she have meant by ending something that doesn’t have an ending? Could she be talking about racism? Maybe, maybe not. The point is that the answer isn’t right in front of your face. I think that encompasses what micro aggressions is are. It is something that seems to be nothing at face value, but once you read between the lines, and allow yourself to be vulnerable, you then start to realize what an impact your actions can have. For example, if you pull into a parking spot and notice that the person you are parked next to is black, but then you decide to move your car a few spaces over – it isn’t flagrantly racist, but implied. This is similar to the answer of a poem’s meaning not being obvious, but if you really look into it and internalize your actions, you will see how that behavior could be indirectly racist.

On the very last pages of the book, we see a painting. Paintings are also a form of interpretive art similar to poems. There are two pictures of the same painting but one is zoomed in to a specific section of the artwork. This hints at the idea that Rankine wants you to look closer; to pay more attention and think deeper into the meaning between the lines. I also feel that it conveys how everything is not always as it seems. At first glance, the painting just looks like a ship battling a storm, but when it is zoomed in, you realize the tiny details. Something may seem innocent at first but could be deeper and darker than it appears. I believe this is what Rankine intended: to end with something that cannot be ended, something that can always be altered or thought of indefinitely. She uses her poems and the paintings at the end of her book to suggest that the story isn’t over and that she doesn’t want our thoughts of racism and injustice to stop once we finish reading. In the final line of the last poem in the book, it states, “It wasn’t a match, I say. It was a lesson” (159); a match is something with a start and an end, but a lesson is something you carry with you for the rest of your life. Rankine’s use of poems and art to finish off her book was a brilliant way to encompass the full extent of the intricacies within poems and micro aggressions. Ultimately, she blended something beautiful with something ugly and hateful to symbolize the boundless complexities of racism.

 

 

Discussion questions

  1. Was there an example of micro aggressions in Rankine’s section of poems that stuck out to you? What made it impactful for you?
  2. Do you feel that the use of poems in African-American literature was a stronger way to convey the struggles and themes of racism than narrative stories? Why or why not?

Works Cited:

Claudia Rankine, Citizen : An American lyric (Graywolf 2014)

“In Memphis, people call for police reform after Tyre Nichols’ killing” Reducing police violence.

The interview “In Memphis, people call for police reform after Tyre Nichols’ killing” raises the question of police violence and how do we work together to reduce police violence. This story is about a traffic stop that turned violent resulting in the loss of Tyre’s life three days later in a hospital. While reading and understanding this story it states Tyre was stopped for speeding and was pulled from the car and put on the ground by 5 officers in Memphis. With that being said the beating of Tyre did not take place at the first stop with 5 officers being there somehow one man was able to overpower and escape 5 officers when he was lying on his side with 3 of the 5 officers actively trying to restrain him. This makes me wonder how can the police training process be reformed because something must be wrong if a one man is able to escape from 5 big police officers from the ground then make it back to his feet and run off. It doesn’t sound like these people have been properly trained or lack the skills to restrain someone without the use of deadly force.

 

Goff was asked by Shapiro what would be the number one thing he would want to change to reduce police violence and Goff admittedly said that that was a tricky question but if he had to change one thing it was “Use police for less”(PG 1) This is an interesting angle that could help with some problems. What Goff means by this is there is no need for someone to call for something that does not need a badge and gun to appear. For example, a suicidal patient. The last thing they would want to see is a gun, a badge, and someone with very little training in dealing with mental health emergencies. Another example is if a homeless person’s main problem is they live outside in the elements, and have no food or water, sending an officer with a gun and the threat of being arrested and potentially beaten does not seem like the right call to action. Having an officer on stand by is different that could be ok but having them as the first respondent to a nonviolent situation could cause more problems than good especially if the person already doesn’t feel safe around cops because of the power imbalance in the real world.

 

Goff made another interesting point that might hit a little closer to home. In Ithaca Tompkins County the police have been told to end all low level traffic violations like speeding tickets in the case of Tyre because the ticket can always be issued through mail and they will get the perpetrator eventually. “I’ll tell you that, in Ithaca – in Tompkins County, N.Y., in Saint Louis, Mo., in Berkeley, Calif., we’re very happy to have encouraged local leaders to end low-level traffic enforcement by law enforcement and to stop sending police when there’s a nonfatal accident.”(PG 1) At the same time, this would reduce police violence by simply just removing them from the situation and allowing the police to avoid conflicts that are nonthreatening. This will ensure fewer altercations with the police and a slightly less police presence while still holding authority over people to make sure rules are being followed. This would also help protect police officers while protecting the public. The reason for less police presence in places they normally aren’t or need to be is a healthy thing; because I believe that many people would agree that not seeing the police or any government official during the day is usually a pretty good day. What I mean by that is every time you see a police officer or a firefighter all dressed up and the lights are on in their vehicle outside a building or just driving past you always think “What has gone wrong?”  “I hope everyone is ok” and if it has something to do with you it raises your stress levels and some people might act erratically in the face of a Police officer. I’ve never heard someone say “Yay the police are at my front door unannounced and I never called I bet it’s some good news” It just doesn’t sound normal at all. Having fewer badges and guns in people’s faces on a daily basis in nonviolent scenarios would help decrease the chances of police Violence and would make the jobs of the police easier and safer.

Policing is not an easy task and there are many split second decisions that need to be made, and many people are not capable of the task. Whether it is physically mentally, or emotionally it is very hard to figure out who all those people are individually, and have them removed from the police force to get rid of the “Bad eggs”.  It’s nearly impossible to do that in the real world but there are a few things that could be done to reduce the chances of violence. As mentioned earlier better training on learning techniques to take someone down and restrain them without having 5 guys pepper spray, beat, and electrocute a signal person to the point of near death just to get handcuffs on them. And as mentioned by Goff “Use police for less”( PG 1) 

 

  • Would using the police for less help reduce police violence why or why not?

 

  • Do you think the use of AI policing might be the future of equitable policing?  

 

  • What do you think would be the best course of action to reduce police violence?   

Extra Credit Event: Dr. Robin Wall Kimmer

On April 12th at 4:30-5:30 pm I attended Dr. Robin Wall Kimmer’s presentation on her work. Her lecture was based around “The Good Harvest. “This event took place in the Corey Union Function Room where many faculty members and students attended. Personally, I did not read her book; Braiding Sweetgrass but after attending this presentation it is a book that I want to read. Dr. Kimmer was an amazing speaker, everything flowed very nicely, and it amazed me how much she spoke from the heart. It seemed as if she didn’t even need the slides she prepared. Even when answering questions, there was nothing that Dr. Kimmer could not answer. She had a very detailed answer to every question that was asked. I feel her presentation told me a lot about her personality, I feel as if I really got to know her as a person. It was easy to see how caring, appreciative, and passionate Dr. Kimmer is. Her lecture opened my eyes to new ideas I have never been exposed to. I found the event to be very engaging and beneficial as I learned a lot from this.

One aspect of Dr. Kimmer’s presentation that I really enjoyed was the connections she made. She provided the audience with a lot of information on herself, allowing us to get to know her better.  She is a SUNY Distinguished Teaching Professor of Environmental Biology at the SUNY College of Environmental Science and Forestry in Syracuse. She is a MacArthur fellow, an author, and a member of the Citizen Potawatomi Nation. She lives in Syracuse, although her home reservation is in Oklahoma. One story that I really appreciated showed Dr. Kimmers determination.  When she was graduating high school, she couldn’t decide between wanting to study science or to become a poet. Her guidance counselor told her she couldn’t do both and she decided to study plants. In her higher education, she was one of the only women and the only native person on campus. She did what she could to fit in. On her first day, she had an interview with her advisor where she told the advisor that she wanted to study the beauty of nature and plants. She wanted to answer questions like why the world is so beautiful and how do we keep it like that? Her counselor told her that’s not science and if that was her interest, she should go art school. It was obstacles like these that got her to where she is today. She clearly has developed a deep passion and genuine care for our earth. She is knowledgeable and strives to maintain the natural beauty of our planet. She speaks up for what she believes, encouraging others to help her take action to preserve the beauty of the earth. I found this to be very inspirational, as sometimes people doubt others, it shows how Dr. Kimmer did not let people stop her and followed her passion. Another part, of her lecture that stood out to me is the idea she called “two eyed seeing.” I found this to be a very eye-opening topic. This idea is to look through multiple lenses and view things from different perspectives. This idea will allow for a much better understanding and a better way of solving problems. She continued on to tell the audience, that ecologists have turned to the knowledge of traditional people for a deeper understanding and seeing of the natural world. In a time where climate change and global warning awareness is so advertised, I think it is important to look to the people who appreciate the world and know how to properly care for it.  She included the statistical detail that 80% of the world’s remaining biodiversity is safeguarded by indigenous places only 10% have protection. She says that we are not to go back in history but to go forward to a planet to live on in the future. These words stuck out to me because it is never too late to make a change and start caring. Her presentation showed me how we can help enhance and preserve the natural beauty of the earth we live on.  She finished off her lecture by saying that “an educated person knows their gifts and how to give them to the world.” As someone aspiring to be a teacher, these are words that will stick with me forever. This was a very powerful message and she clearly knows how to spread her gift with the world.

Overall, I enjoyed Dr. Kimmer’s lecture, her message was very powerful and moving. She really gave me insight to a perspective I had never thought about before. I learned a lot from what she had to say, and it left me, and I am sure the rest of the audience feeling very inspired. Although I had been worried that I would feel lost during this presentation since I did not read Braiding Sweetgrass, I gained a lot of valuable information from this event.

Black History Month Event Review: “The Sherlock Holmes You Never Knew: Black American Adaptations, Then and Now.”

 I attended “The Sherlock Holmes You Never Knew: Black American Adaptations, Then and Now.” This event took place on Thursday, February 29th from 6 to 7 pm in the Old Main Colloquium. The presentation was delivered by Dr. Ann McClellan who is the Chief Academic Officer and a provost at SUNY Cortland. Many people attended the presentation including students, professors, and even President Bitterbaum! Her presentation focuses on Sherlock Holmes who audiences recognize as the founding father of all great (white) fictional detections. The presentation focused on the adaptations of Sherlock Holmes that people fail to acknowledge. Since 1903 there have been Black American Sherlock Holmes characters and her presentation covered the history of the Black Sherlock Holmes adaptations across genres.

Dr. McClellan began with a brief introduction of herself, she told the audience that her presentation is a part of a larger project she has been working on for several years. It wasn’t until 2014 on a research trip in London that she read a self-published pamphlet created by an American. The pamphlet had an entire history and connection of African American culture and Sherlock Holmes, it opened up stories, characters, narratives, and representations that she had never heard of or seen in her prior research. Before this presentation, I honestly didn’t know much about the character Sherlock Holmes, but Dr. McClellan told us that according to the Guinness World Records, Sherlock Holmes is the most portrayed fictional character of all time. One thing that stands out about Sherlock Holmes is that he is known as a white man from England. Even his fan group is primarily white. She showed us a photo from the annual dinner in NYC of the Bakers Streets Irregulars, a worldwide fan society of Sherlock Holmes. The dinner is invite only and everyone in the photo is white and a male. We looked at a photo from 1986 and 2020; the only difference is that there is now one woman and one man of color. Other than that,  his fan base is predominantly white males and over the years, as the world has advanced not much has changed within the fan base. I found this to be very surprising and it also made me curious if this fan base also studies these different adaptations.

Dr. McClellan then defined the word adaptation which was very helpful as her presentation is focused on these different adaptations. She defines adaptation as another person’s take on a story or character, a different genre, a different period, or a completely new story. This simple definition she included, made it much easier to understand and connect to her presentation. She then began to discuss the first African American adaptation of Sherlock Holmes which took place in 1903. This was the first Broadway musical with an all-black cast which is not widely recognized due to racism. The play is titled “Dahomey” and it stars Bert Williams as the main character who plays Shylock Homestead. Although he was African American, he used burnt cork to make his skin look darker and outlined his lips in white makeup to exaggerate his characteristics. He felt that if white people could make money by doing blackface, he should be able to do the same. Dr. McClellan then began to discuss different genres like silent films and music which was centered around Sherlock Holmes. Something that stuck out to me was her explanation of whitewashing and colorblind casting. She spoke about how this still occurs in today’s society. Whitewashing is when characters who are created to be of a certain race, ethnicity, or culture are converted to be white in films, plays, etc. Colorblind casting states that race doesn’t matter and will instead be ignored. It was argued that colorblind casting makes racial identity invisible, but audience critics argued that the first thing people notice is racial and ethnic identities. They believed it influenced how viewers see and react to characters and their relationships with others. I connected this aspect of her presentation to our class discussions on color blindness.  Lastly, as Dr. McClellan concluded her presentation, she provided a great wrap-up and lasting impact. She stated how there have been several Sherlock Holmes adaptations, including stories of Sherlock Holmes being a woman, transgender, an alien, and an MLB player. All of these different things have nothing to do with the original story, yet audiences still struggle to imagine the character as a different race or ethnicity. She told the audience how this shows us the importance of fans of color and creating, collecting, and archiving diverse representations of iconic figures.

Overall, I enjoyed this event and took a lot of information away from it. It is clear to see how passionate Dr. McClellan is about her research.  Through her presentation, I learned about adaptations I did not know existed. This event sparked my curiosity and left me wondering about racism and biases that still occur in today’s society.  Her presentation was engaging and presented in an organized manner.

Black History Month Event Review: Making Shakespeare Sexy

On February 6th from 2-3pm, I attended Dr. Willnide Lindor’s talk “Making Shakespeare Sexy Again: Pedagogical Approaches to Race and Empire,” in Old Main.  I was extremely interested in attending this event because I take a class with Dr. Lindor and she’s been one of my favorite professors here at SUNY Cortland because of her passion for her subject, and her active engagement with her students.

While sitting in at this event, many subjects were brought to my attention that I really hadn’t thought of before.  Dr. Lindor discussed the difficulty around making Shakespeare something enjoyable or interesting for her students of color.  Dr. Lindor explained that typically she’s noticed that her African American students are unable to make a connection with Shakespeare because of background ethnic differences.  She further stated that “black students are not the intended reader of Shakespeare” and that, “Shakespeare is the embodiment of whiteness.”  I found this very interesting.  As someone who plans on entering the field of adolescent education, I’m very conscious of the fact that I will more than likely teach Shakespeare in my future classroom.  I think of the stigma around Shakespeare; that it’s confusing and most students aren’t interested in it because of the language.  However, although obvious, I had never before thought of Shakespeare’s intended audience: it had never really been said out loud.  As Dr. Lindor discusses, it’s no mystery why she found that her African American students had difficulty forming a connection with texts written by Shakespeare.

 

After providing us with some background information, Dr. Lindor then dove into her strategies for teaching Shakespeare.  She explained that by understanding how students are introduced to Shakespeare that teachers are better able to understand the background that multicultural students bring to the college classroom.  She says that incorporating a race conscious pedagogy allows students to thrive in their education within the realm of Shakespeare.  Dr. Lindor then introduced us to her “Experience Retrieval Exercises.”  ERE’s, as she calls them, are activities where students share information about previous knowledge about a topic regardless of the education level.  Dr. Lindor then asked us to participate in an ERE that she uses in her classes.  In this ERE, we wrote down what we knew about Shakespeare on an index card in groups. Then, after a timer went off, Dr. Lindor collected our index cards, placed them in a bowl, shuffled them around, and picked out cards in a random order and read them aloud to the group.  She explained that often times when she executed this activity in her Shakespeare classes, she found that students typically had a few negative associations and memories of Shakespeare but also some positive ones.  Dr. Lindor said that as a class, hearing all of this different information from memory recall lays new touchstones for their future encounters with Shakespeare.

Ultimately, I learned a lot from Dr. Lindor’s talk.  I think all adolescent teachers who teach Shakespeare definitely need to consider making it more inclusive.  I think students learn best when they are able to relate to something, even in the smallest way, and for those who can’t I think Dr. Lindor’s strategies are an excellent way to help students become engaged in the work.

Dr. Marcus Croom – If Black Lives Matter at School, then What is Race?

I attended a Zoom session on February 8th from 6 to 7pm, which was hosted and conducted by Dr. Marcus Croom and guided by Dr. Dianne Wellington. Dr. Marcus Croom is an assistant instructor of literacy, culture and language at the University of Illinois in Chicago and a critical race researcher. He has written a number of books addressing 21st century enduring issues throughout school systems and classrooms. During his event, Dr. Croom discussed the various ways that racial inequalities are displayed in classrooms as well as the potential effects that the lack of racial knowledge and awareness can have on academic thinking, student identification, effectiveness of teachers, and literacy methods of instruction. This event was extremely eye opening. A number of interesting ideas and topics were touched upon that I have never been presented with before, putting a significant amount of new and existing ideas into new perspectives. 

One of the most interesting ideas Dr. Croom touched upon during his event was his study on race in literacy. He highlights findings from studies he and other colleagues have done within different classrooms to document teachers’ understanding of race and how they can often, intentionally and unintentionally, discriminate against students of color, or minority groups. According to these research studies, a variety of forms of racism and discrimination are frequently observed in classroom settings, such as prejudices in instructional strategies, a curriculum lacking in diversity and representation, discriminatory disciplinary measures, and the reinforcement of racial stereotypes. The utilization of emojis in the classroom was one startling example given by Dr. Croom during his presentation. Emojis are widely used forms of communication that frequently do not fairly represent a range of diverse groups. Not only teachers, but everyday people often use primarily white characters, which makes people of other races and groups feel excluded and less significant.  In response, Dr. Croom stressed throughout this lecture that in order to establish more inclusive and equitable learning environments for all children, educators must critically evaluate and oppose these discriminatory processes. Croom advocates for the development of racial literacies as a main solution to combat racism in classrooms. Teachers can improve their knowledge of race, racism, and anti-racist beliefs by encouraging diverse racial literacy. They can then include these viewpoints into lesson plans. Creating inclusive classroom environments where all students feel valued, included, and respected are a few examples of teaching strategies. Other examples include addressing specific biases and prejudices, incorporating varied perspectives into curriculum, and developing culturally responsive teaching solutions. Through continuous reflection and the elimination of racial prejudices, educators can work to undermine systematic racist policies and procedures in the classroom and advance social justice and inclusivity for all children. 

I found Dr. Marcus Croom’s presentation to be really insightful. This incident highlighted the critical role that educators play in creating inclusive environments while also casting a great deal of light on the extent of racial and minority disparities in educational settings. His observations about how racial biases appear in classrooms, even in seemingly innocent ways like emojis, emphasized how critical it is to confront these problems head-on. Teachers may help create more equitable learning environments where all students feel valued and empowered to thrive by aggressively confronting discriminatory practices and encouraging racial literacy. The essential reminder provided by Dr. Croom’s call to action is the continued effort required to combat systematic racism and advance social justice in education.



Extra Credit Event Review: Braiding Sweetgrass Talk

On Friday, April 12th, I attended Dr. Robin Wall Kimmerer’s keynote speech in the Corey Union Function Room titled “Braiding Sweetgrass: What does the Earth Ask of Us?”  Dr. Kimmerer’s speech was completely fantastic and moving, and I’m so glad I decided to bring my laptop and was able to take notes on some of concepts she shared.  Something that really stuck out to me was her overall (Native) approach/perspective on our relationship with the Earth.  Dr. Kimmerer discussed her transition to college where she was asked why she wanted to be a botanist by one of her professors, and her response was untraditional; she wanted to study the beauty of plants.  She described in detail her relationship to plants and the Earth; that she was raised to understand that plants were her brothers and sisters.  She proceeded to make the claim that “It is not the land which is broken, but our relationship to the land.”  This perspective is very new to me, but it’s something that makes perfect sense.  She claimed that in order to move forward and save the planet we need to fix our relationship with the land, our Earth, and a way of doing that is by accepting and taking on Native thought processes.

 

Additionally, I think she made an excellent point to reference higher education’s participation in Native American people’s erasure in higher education.  Personally, I grew up just 20 minutes away from the Seneca Nation territory, however, it is mind boggling to me that even in the state of New York, where we have multiple Native reservations, the education that we, as students receive about Native American culture and history is quite poor.  I strongly agree Dr. Kimmerer’s claim that higher education plays an important role in our understanding of aspects of Native culture and its values.  I think that it can be difficult for people to change their relationship with the Earth because of how most of us were educated or raised to think about Earth and how we use it as opposed to this healthy, balanced, and respectful relationship that Dr. Kimmerer discussed thoroughly in her speech on Friday.  Near the end of her speech, Dr. Kimmerer shared her thoughts on what it means to be educated.  She said that “an educated person knows their gifts and how to give them to the world.”  Again, she shares with us a unique, but quite positive perspective and mindset.  After listening to Dr. Kimmerer, it is very clear that she deeply values education, but contrary to what most people think of as the “correct” form of education, Dr. Kimmerer strongly believes that education comes from everything around you, especially our planet.

 

Overall, I was very moved by Dr. Kimmerer’s speech.  It really opened my eyes to a perspective I had never been made aware of, but once I heard her speak more about it, this perspective sat very well with me.  I hope I can continue to learn more about Native culture throughout my academic journey because I strongly feel it will well round me not only as a student, but as a person.

Serena Williams: Evolution of Anger

In “Citizen: An American Lyric” there are a lot of ideas that are brought up regarding racism. One of them is the idea of evolving anger, how acts in the past build to something greater. Rankine brings up a video by Hennessy Youngman, and in that video he says “the anger built up through experience and the quotidian struggles against dehumanization every brown or black person lives simply because of skin color.”(24) This is powerful because in our everyday lives there are small things that in the moment may not affect us but as time goes on that small thing grows bigger, especially when recurring. For example, in 2004 Serena Williams was participating in the US Open and she was put at a disadvantage and subsequently lost the game. This was because of five bad calls. With that she left calmly and didn’t make a scene during the game. After the game Williams said “I’m very angry and bitter right now. I felt cheated. Shall I go on? I just feel robbed.”(27)A year later technology was added to be able to challenge plays, so whatever the official said was not the final word and avoided these outcomes.  Comparing that to 5 years later in 2009, there was another match where Serena got a bad call and lost her temper. But instead of keeping it inside, she let her anger out. Audre Lorde says “that her response to racism is anger. I have lived with that anger, on that anger, beneath that anger, on top of that anger, ignoring that anger, feeding upon that anger, learning to use that anger before it laid my visions to waste, for most of my life. Once I did it in silence, afraid of the weight of that anger. My fear of that anger taught me nothing. Your fear of that anger will teach you nothing.”(278) This relates to how anger is used, and in this moment what happened to Serena. She had so much pent up anger that was never resolved. She ended up cursing at the umpire and this caught a lot of people’s attention. She ended up getting an $82,500 fine and could not play for two years. During the dispute Williams used the word “again. And this can draw your attention back to the first time and how she kept all her feelings inside. So maybe there was a better way that she could have approached the unfair ruling. But when in the moment it is challenging to keep your composure. This relates to how there is an evolution of anger, a strong emotion that helps humans fight adversary. And through that 5 year period she learned to stop fearing her anger and to embrace it. For that anger is what allows her to fight for injustices in the world.

From pages 40 to 55 there are small stories that are based on racist acts and microaggressions. Towards the end of that section there is a picture that is given, “plastic letter stencils, smudging oil sticks, and graphite” was used for this art by Glenn Ligon. The left side says “I do not always feel colored” and the right side says “I feel most colored when I am thrown against a sharp white background.” Both of these are repeated numerous times as it gets lower it gets darker. For me this relates to the idea of what Serena went through as well as microaggressions. As it happens more and more you get into a darker place mentally. On the surface it seems fine but there still is a lot of hidden emotion that has yet to come out. There could also be a retreat into a more common place. If the white background symbolizes a white place than the darker it gets, that could be going back into a place that is more familiar to you. That relates to the left part of the drawing, where the speaker does not feel colored because his color is no longer a part of his identity. Because everyone is the same there is no space for feeling different. 

Lastly are the examples and the story, every story is different but there is a common theme in all of them. There is an offense happening to someone of color and there isn’t much thought about it, or there is never the recognition that something occurred. There are so many examples of this happening and the strive for wanting better. Rankine finishes the chapter off by saying “just getting along shouldn’t be an ambition.” This is sadly what a lot of people go through and as someone of color, it makes it a lot harder to not fall in this category. 

 

  • Why do people only care about a problem when there is outrage, rather than stopping it when the problem is small? What can we do to stop that?
  • What does Glenn Ligon’s stencil drawing say to you? Are there any similarities between the drawing, Serena Williams, and microaggressions? 

 

Citizen: Themes of Parts II and III & sad scenarios

In the book Citizen: An American Lyric by Claudia Rankine Parts II and III, there are reoccurring times of the influence of the past in the present, images in perpetuating racial violence, past histories of racial violence and racial discrimination and how they continue to show in the daily life and what happened to professional athletes who are known for the greatness in their game. Rankine speaks about what Serena Williams went through during her career and it is very sad how she was treated. Rankine talks about the struggles of being an African American in an American society, Rankine brings up many scenarios in which African Americans were treated very poorly. In Parts II and III of Citizen: An American Lyric, she includes images and some pages that are just blank, which leaves readers thinking about what they saw in the images, and it is rare for a book to have blank pages, which I think is a unique strategy by Rankine to keep the readers hooked. Rankine mentions scenarios that happen to African Americans and how they are treated poorly by continuing to speak in the 2nd-person so you could pretend to be in their shoes.

 

In Part II of Citizen: An American Lyric, Rankine’s focus was to speak about the tennis phenomenon Serena Williams and the things she went through during her career, which is still going to this day. Serena is known as one of the greatest tennis players and how she treated during her career is such a disgrace. There are times where she was treated unfairly on the court and people in the stands noticed it. Rankine brings it up in Part II, stating “The most notorious of Serena’s detractors takes the form of Mariana Alves, the distinguished chair umpire. In 2004 Alves was excused from officiating any more matches of the final day of the US Open after she made five bad calls against Serena in her quarterfinal matchup against fellow American Jennifer Capriati. The serves and returns Alves called out were landing, stunningly unreturned by Capriati, inside the lines, no discerning eyesight needed.” (Rankine 26-27). It was clear to many that Alves was leaning one way during the match because the description of inside the lines, no discerning eyesight needed is just proving that Alves had something against Serena Williams for some odd reason and was umpiring in a cheating way. Another example Rankine speaks on is “Though no one was saying anything explicitly about Serena’s black body, you are not the only viewer who thought it was getting in the way of Alves’s sight line.” (Rankine 27). Serena had her response to the unfairness stating, “I am very angry and bitter right now. I feel cheated. Shall I go on? I feel cheated.” (Rankine 27). Serena has the right to be angry and bitter because she is in the right and was cheated and the match was totally unfair. This scenario was an example of racial violence and racial discrimination because Alves was treating Serena in a very unfair way and what happened to her while playing the game she loved.

 

Also, in Part II, Rankine shows a photo perpetuating racial violence. Rankine shows an image of Caroline Wozniacki, former number one player in the country mocks Serena during a match against her which is awful. Rankine states “Now that there is no calling out of injustice, no yelling, no cursing, no finger wagging or head shaking, the media decides to take up the mantle when on December 12, 2012, two weeks after Serena is named WTA Player of the Year, the Dane Caroline Wozniacki, a former number one-player, imitates Serena by stuffing towels in her top and shorts, all in good fun, at an exhibition match. Racist? CNN wants to know if the outrage is the proper response.” (Rankine 36). This showing by Caroline Wozniacki is another example of how poorly Serena was treated during her professional career.

 

Rankine speaks on the struggles of being an African American in an American society in Part III. She talks about scenarios where racial discrimination occurs. Rankine states, “At the end of a brief phone conversation, you tell the manager you are speaking with that you will come by his office to sign the form. When you arrive and announce yourself, he blurts out, I did not know you were black!” (Rankine 44). That is one of the many scenarios Rankine speaks on in Part III, racial violence and racial discrimination must come to a stop and it should have a long time ago.

 

In conclusion, Rankine does a great job explaining the struggles of being an African American in an American society by showing many scenarios and that even when you are a professional athlete that everyone loves, you can be treated terribly for no reason and the themes of  the influence of the past in the present, images in perpetuating racial violence, past histories of racial violence and racial discrimination and how they continue to show in the daily life and what happened to professional athletes who are known for the greatness in their game shows in Parts II and III way too often and there needs to be changes to how African Americans are treated immediately.

Discussion questions:

  1. Did Rankine do a good job in Parts II and III by showing scenarios to the readers with what goes on in the daily life of African Americans and the struggles that are battled through?
  2. Was Alves in the wrong in 2004 in Serena’s match? Why or why not?

 

Works Cited:

Claudia Rankine, Citizen: An American Lyric (Graywolf 2014)

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