Extra Credit Event Review: Braiding Sweetgrass

          On Friday, April 12th, 2024 from 4:30- 5:30 pm in Corey Union’s function room, I went to Robin Wall Kimmerer’s lecture on her book “Braiding Sweetgrass”. I really enjoyed her lecture, and learned a lot about her background and where her ideas for the book came from. I liked how she started off with an introduction on herself, speaking in a different language at first was a very interesting and fun way of starting off her lecture. I think by her sharing her own background, she added a personal touch to her lecture, and made it seem like less of a lecture and more of her just talking to us. She then talked about the Nagaan ge bezhig emkwaan flag (meaning the dish with one spoon treaty belt), which was an agreement between the two confederacies that shared the same homeland, agreeing to keep the “bowl” clean and full without suffering. This idea of keeping the same “bowl” clean and full was a way of sharing and bringing the community together, focusing on keeping their shared homeland clean and respected. Instead of constantly taking from the Earth, they were being asked to protect and care for it, which was a main focal point of Robin Kimmerer’s lecture. This was one of my favorite parts of the lecture because it was a way to connect and bring everyone together, even if they were different in other aspects of their life, they all shared one thing in common, their homeland. 

           Kimmerer then went on to speak about her actual book, “Braiding Sweetgrass”. She talked about the connection between braiding sweetgrass and a girl’s mother braiding her daughter’s hair. In each of these the person braiding is caring for the other person. For example, the mother is caring for her daughter by braiding her hair, so by us braiding the Earth, we are showing how we care and can protect the Earth. Which is why her book is titled this, because of how she learned and was taught to care for the Earth, and because she wanted to show everyone else how they could too protect and care for Earth. She then went on to explain her college life, taking us through her disappointment with her advisor meeting after learning she didn’t feel like she quite fit into her major. Kimmerer talked of being a botanist, which means she cared for plants, and spoke about her confliction within learning about this in her major. She asked us three questions that she had been thinking about when she tried describing her love of plants; why is this world so beautiful? Why plants make medicine? And why plants bend for baskets? And although I do not know the answer to these questions, I found them very fascinating. Lastly, I would like to end with a quote that Robin Wall Kimmerer shared with us that has stuck with me since her lecture, “it is not land that is broken, but our relationship to land”. 

Sherlock Holmes & The Evolution of the Character from Past to Present:

           I went to the event presented by Provost Ann McClellan on February 29th, 2024 from 6:00 pm- 7:00 pm, in the Old Main Colloquium. The main message and purpose of this presentation was to teach the listeners about the history and influence of media Sherlock Holmes had/has on different genres in films, books and tv shows. Ann McClellan discussed the direct impact Sherlock Holmes as a predominant white male has had on Broadway (musicals and plays), silent films, American jazz, graphic novels, dystopian fiction and fan fiction, which are some examples of genres she used when discussing the past vs present. 

           Ann McClellan started off her presentation with background information on Sherlock Holmes’ character. His history of being the most portrayed character with a mostly white fandom, called the Baker Street Irregulars. After learning about the history of the character, Ann McClellan jumped into how Sherlock Holmes was affected through Broadway musicals. “In Dahomey”, a musical from 1903, was a play that had the first African American “Sherlock Holmes” (masked as a character called Shylock in the play), Bert Williams. She also discussed heavily the ideas of Blackface and how it was used. Bert Williams, although being an African American male, actually used Blackface when performing “In Dahomey”, he used white around his mouth area to make his facial expressions heightened. Williams, among other African American actors who also used Blackface, felt that if white actors could use Blackface and make money off of pretending to be another race, they should be able to do the same. Ann McClellan then moved on to a silent film from 1918, “A Black Sherlock Holmes”. This film reconciles with white characters as African American actors. They took the character Sherlock Holmes and made it into a story following a non white detective, assumed to be Sherlock Holmes. The character was identifiable as Sherlock Holmes because of the iconic hat he wore, which matched the one described and characterized with Sherlock Holmes. And because of the book he read in the opening scene, a guide on how to detect. Ann McClellan also discussed the ties of the colorblind casting issue surrounding this film, among others. I think both of these examples from the entertainment industry showed just how bias people are, even when it comes to fictional characters. 

           Ann McClellan then went on to the music industry, specifically jazz music. She talked about the heavy influence Sherlock Holmes had on jazz music, different bands catered their music towards this fictional character in order to appease to the hype from the public. One song she played for us was “Dr Watson and Mr. Holmes” from 1934, she also showed pictures of different members of bands and soloists who would dress up as Sherlock Holmes (or a detective with the iconic hat, which led people to assume they were dressing up as this character), and played clips of singers having Sherlock Holmes somewhere in their song (either by word or through description). Ann McClellan lastly discussed the popularity of Sherlock Holmes through books. The first fiction novel “The Hound of Justice” from 2019 was a detective book with heavy female representation. This was just one of the many novels written surrounding detectives with a mystery story. She then turned the presentation towards fanfiction using the website Archive of Our Own. She went into explicit detail about the website itself, sharing that it was primarily used for fans to write stories about fictional characters from their own perspective. Ann McClellan gave statistics about with Sherlock Holmes fanfiction written and catagrized with tags like #SherlockHolmes. The statistics read that Sherlock Holmes was written as a non white detective in only fifteen stories out of hundreds of thousands of stories. She ended her presentation with stating that just recently there has been movement towards Sherlock Holmes being differently raced other than white, and that is one of the high takeaways I got from this presentation. Both of these examples are also excellent examples of the biases people still have, even to this day. 

A Raisin In The Sun:

            In “A Raisin In The Sun”, Hansberry uses the check as symbolism for each family member’s value on hope and how they all see each of their dreams coming true with the money given to them. After reading act one, I quickly noted the importance of the check Mama is receiving after losing her late husband. The family shows clear signs of financial struggles from the beginning of act one. Hansberry writes, “TRAVIS: (Eating) This is the morning we supposed to bring the fifty cents to school. RUTH: Well, I ain’t got no fifty cents this morning,” (28). These lines show how important the check is to them because the check could help them with their finances. The importance of the check is shown throughout the story when Hansberry repeats the same type of phrase between Walter and Travis when talking to Ruth. “WALTER: …(Stopping and thinking) Check coming today? RUTH: They said Saturday and this is just Friday and I hopes to God you ain’t going to get up here first thing this morning and start talking to me ’bout no money…,” (26). And then later on the son asks a similar question, “TRAVIS: Mama, this is Friday. (Gleefully) Check coming tomorrow, huh? RUTH: You get your mind off money and eat your breakfast,” (28). These two quotes show the family needing the money off of this check. After coming to this conclusion, I realized that the check is symbolizing their dreams for their own futures and how they imagine this check helping them each. With this being said, I want to focus on two main characters and their feelings towards the check, Walter and Beneatha. 

           In the story Walter has a very different viewpoint than his sister, Beneatha, has on the check and what it could mean for their family. Walter, from the very beginning, has this idea of the money being used as an investment through the liquor store. “WALTER: Yeah. You see, this little liquor store we got in mind cost seventy-five thousand and we figured the initial investment on the place be ’bout thirty thousand, see. That be ten thousand each. Course, there’s a couple of hundred you got to pay so’s you don’t spend your life just waiting for them clowns to let your license get approved,” (33). Walter talks about wanting to invest all of the money in the store and the good things that could come from investing it all over spending it all. I think this mindset of investing the check comes from a few different standpoints. It definitely plays into him wanting to invest so that the money grows and he can have a way to provide for his family and finally be the head of the household. I think that the check symbolizes for Walter how his life can improve. “WALTER: (Quietly) Sometimes it’s like I can see the future stretched out in front of me—just plain as day. The future, Mama. Hanging over there at the edge of my days. Just waiting for me—a big, looming blank space—full of nothing. Just waiting for me. But it don’t have to be,” (73-74). Walter is growing tired of the same old job, he wants to branch out and explore the different possibilities that could be given to him like they are given to white people. His dreams of moving forward in life are shown clearly as his main reason for wanting the check. 

              Beneatha on the other hand, chooses to trust her mother to do whatever she wants with the check. Although she could ask her mother for some parts of it for her medical school so she can become a doctor, like Walter suggests she will do, she is assertive in wanting her mother to choose how she spends the money. “BENEATHA: (Turning on him with a sharpness all her own) That money belongs to Mama, Walter, and it’s for her to decide how she wants to use it. I don’t care if she wants to buy a house or a rocket ship or just nail it up somewhere and look at it. It’s hers. Not ours—hers,” (36-37). She is telling Walter that she wants their mother to choose for herself, which further proves her femininst side. Beneatha’s entire character is about being a feminist, and her wanting her mother to choose what to do with the money, something she never would have had the choice to do if her husband was alive, is Beneatha’s way of letting her mother take back some of her power and control. I think what the check symbolizes for Beneatha is about allowing her mother to pave her own path, something women were not allowed to do in this time. By letting her mother make her own decisions and become more of a feminist, her dream of being accepted by her own family is more likely to happen. “WALTER: (Defensively) I’m interested in you. Something wrong with that? Ain’t many girls who decide—WALTER and BENEATHA: (In unison) —“to be a doctor”,” (36). As of right now, no one accepts her wanting to become a doctor, so maybe if Beneatha’s mother taps into her womanhood, she will understand where Beneatha is coming from and support her more. The future Beneatha see’s for herself will be easier to achieve with somebody on her side, especially her mother. 

            One specific theme of “A Raisin In The Sun” that I think ties into the conflict of the check, and what should be done, is the endless struggles against human oppression for individual fulfillment, recognition and liberation. I think this theme connects well with the message the check achieves throughout the story because it is clear that the family is struggling mainly because of the oppression they are being faced with. They could only get jobs helping out white people, or chauffeuring them around, except for Beneatha who is struggling to achieve what everyone thinks is impossible. This theme is important to the symbolization of the check because without the oppression they faced, they would have been better off financially and individually. Walter wouldn’t have been so focused on investing, for individual fulfillment in looking for something more meaningful. Beneatha wouldn’t have been suffering and looking for recognition in what she was trying to do, and how hard she was working at attempting to achieve it. And Mama wouldn’t have wanted her own control over her own home, because without being oppressed they would have left the apartment they had been living in forever and she would have liberation in her own life. The impact of the check and oppression ties together through the characters actions and feelings. 

And with that being said, there are two questions left to discuss…

  • How does the check affect the family in different ways? 
  • How does money affect people & how can that be related to the story?

Work Cited:

Hansberry, Lorraine. A Raisin in the Sun. Random House, 1997.

Introduction

Hi! I’m April and I’m from Long Island! I am a second semester freshman and my major is Adolescent ed in English and I currently work at Neubig dining hall. Some of my favorite hobbies are reading and writing, but I also love listening to music and working out.

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